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The audio is handled by a 16-bit LPCM 2.0 Stereo track, in English, with optional subtitles provided in English only. Compression artifacts are a non-issue and the disc is free of any obvious noise reduction or edge enhancement problems. The image is quite clean, showing only minor print damage and quite infrequently at that.
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Black levels are strong, skin tones look spot on and there's nice depth and detail throughout.
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The results of the AVC encoded 1080p presentation, framed at 1.78.1 widescreen and taking up 23.2GBs of space, are quite nice indeed, with the colors definitely looking noticeably superior to past Blu-ray editions.

The House On Sorority Row is presented on a 50gb disc and appears to be taken from the Scorpion Releasing remaster from 2018 that was used for their now out of print Blu-ray edition. The House On Sorority Row - Blu-ray Review: It's plenty nostalgic for those of us who grew up in the era in which it was made and it's a fun film, but you can't really say that it's a good one, not in the traditional sense - it's entertaining enough though and worth seeing.
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In the end though, as fun as this movie is, it's hard to take any of it all too seriously. On top of that, we get some performance footage from a band called 4 Out Of 5 Doctors during the party scene, a group so horribly dated that they fit right in with the rest of the eighties era clichés that run rampant throughout the film.Ī few suspenseful moments remind us that we are watching a horror film and the orchestral score composed by the prolific Charles Band and performed, amazingly enough, by the London Philharmonic Orchestra is definitely a highlight. Garrett from The Facts Of Life, played as if she's got some sort of bizarre fetal complex. Lois Kelso Hunt's turn as the bitchy matron type resembles sort of a demonic and uber-bitchy Mrs. No one in the film is particularly good as far as their performances go, but you've got to give Eileen Davidson credit for playing the bitchy bratty type with such stereotypical gusto and to Kate McNeil for looking cute and playing the nice girl as woodenly as she does here. Yes, it's almost entirely by the numbers but it's such a dopey premise played with such ham-fisted seriousness that you can't help but dig it. Slater's body, which was left at the bottom of the pool, is mysteriously missing.ĭespite the fact that much of the violence takes place off screen, that the film is fairly bloodless, and that when there is any gore its handled fairly poorly, it's hard not to like this picture. While the band plays in the living room and the party starts to heat up, various party goers start getting knocked off, one by one, and Mrs. Katherine (Kate McNeil), the only one of the bunch who seems to have any morals, wants to call the cops but the other talk her out of it.


Of course, the prank goes wrong and before the party starts they wind up killing the woman by accident.
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They borrow a gun and decide to prank her into falling into the pool that is in the backyard and which is full of green algae. Unhappy with things going the way they are, she later disrupts one of the girls, Vicki (Eileen Davidson), in the midst of having relations with her boyfriend, at which point the girls decide to teach to old bat a lesson. They try to keep it a secret but when she walks in on them yapping about it while chugging booze in their pajamas, the secret is a secret no more. Slater (Lois Kelso Hunt), a cranky old woman who runs a sorority house populated by a group of foxy and nubile young ladies who are planning to use the house for a big party against her will.

When the film begins, a woman loses her baby during childbirth. Written and directed by Mark Rosman, who has since gone on to churn out a lot of comedies and TV work in addition to writing the recent remake of this very film entitled simply Sorority Row, this low budget slasher film from 1983 isn't even close to the best of its breed but it has a certain quirky, nostalgic charm that makes it marginally endearing to fans of the genre. The House On Sorority Row - Movie Review: Cast: Kate McNeil, Eileen Davidson, Janis Ward, Robin Meloy
